Ok, I might as well go first: I wish I could draw. Not at the level where I could make photorealistic portraits, but I’ve always been envious of those who are able to scetch something together in a few minutes that perfectly captures what they want to convey. Sometimes words aren’t enough to express what I want to say, and for those situations I would love to have a simple drawing do the talking for me.

  • Nepenthe@kbin.social
    4·
    7 months ago

    Ok. Mini-rant because I can’t contain myself atm. Do you wanna know a badly-kept secret? I’ve been making art on and off for 29 years. My ass wishes I could draw too. A ton of artists wish they could draw.

    Talent will only give you a leg up, and mainly just at the beginning. The rest, all of us have to struggle for and I’m quite sure very few of us appreciate having to do so. And no matter how good they get, there is always something they have no idea how to do yet or they have some idol whose style they envy more than their own. Or they’re the type that only hates what they make because they’re the one who made it.

    Van Gogh had a painter friend named Gauguin, and they were both jealous of each other. There is no magical point that one hits where you feel like you’re Good Enough. The best you can aim for is the kind of steady improvement you don’t even notice happening except on a scale of years, and the confidence to acknowledge those improvements instead of hyper-focusing on every way it isn’t what you saw in your head (it never is).

    Go get a pencil or your ipad or whatever. Youtube is by far your biggest friend. Go look up videos about how to actually see what’s in front of you instead of what your brain insists must logically be there. USE REFERENCE. Trace a photo over and over, then immediately try the same thing freehand – this one is super useful, because a lot of drawing is also muscle memory. Break things down into simple shapes and then build on those. Use the open space between objects if you need to, to trick yourself into drawing something complex without getting lost in intimidating structural details.

    When you’ve got those down, move onto perspective and composition. Cry a little if you have to, then get back to it. Because now you’re able to do whole backgrounds. People? Do tons of deliberately imprecise gesture drawings. Give your OC a terrifying robot head, a pillow for a torso, and springs for limbs. But go get. Your pencil. And be ok with drawing at first like everyone thinks they draw.

    Barring that, my second choice is singing.