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Joined 4 years ago
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Cake day: June 23rd, 2020

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  • I mean, I definitely think it’s not ideal and there’s room for improvement and social pressure for Mozilla to change its priorities, but I also don’t think it’s any reason to abandon the project. The reality is that a modern web browser is too massive of a project for a non-commercial entity to reasonably develop and keep updated, and Mozilla is the only such entity that’s even remotely got its heart in the right place.



  • Remakes can be awesome – the recent System Shock remake is an excellent example of doing it right. The problem, as it always is, is capitalism and greed, which lead to lazy money-grabbing remakes of games that didn’t need it. Many games that get remakes should have just gotten patches – Dark Souls is a prime example of this. The remake barely looked better than the original and changed things about the gameplay, not necessarily for the better.









  • This is off the top of the dome and given more time I’d probably change this significantly, but here’s 10 of my favorites from a multitude of genres:

    • Rain World
    • Outer Wilds
    • Stephen’s Sausage Roll

    (Those are pretty firmly my top 3, all totally mindblowing experiences that surprised and awed me multiple times)

    • Spelunky 2
    • Getting Over It
    • Peaks Of Yore
    • Satisfactory
    • Dark Souls PTDE
    • Hunt: Showdown
    • Morrowind

    Honorable mentions for Guilty Gear and Tekken as series, and I have a special place in my heart for the 2000 title Sacrifice, which is my eternal top pick for a remaster/remake.





  • … no, you literally are not. For that to be the case, you would have to already be planning to purchase the good, and then decide to pirate it instead. Even if that is the case (which in the vast majority of cases it is not), it still requires absurd mental gymnastics to reframe not paying someone money as stealing money from that person. You haven’t signed a contract. The entire concept of a “lost sale” is a lie. If someone pirating a movie is a lost sale, so is someone deciding not to see that movie because the ticket is too expensive, or the reviews are too bad. This is why I said it’s internalized corporate propaganda, because it places the onus for fairly compensating artists on the audience instead of the industry.

    Additionally, the economics of almost every media distribution solution in existence means that purchasing a piece of media puts only a miniscule fraction of that price into the hands of the artist. Which is why I mentioned direct donation: giving a music artist you like $10 directly is a better way to support them than paying for Spotify Premium or even buying their discography on CD.



  • GitHub (since the Microsoft acquisition) is good to users because that’s their MO, it’s called Embrace, Extend, Extinguish, and the whole point is to centralize users and projects and make them dependent on the Microsoft ecosystem.

    Of course now there’s also the whole issue of Copilot, which means any code you put on GitHub could very well show up piecemeal in someone’s AI-generated code. If it wasn’t for that novel avenue of monetization, you can bet your ass GitHub would have already made the free user experience a lot shittier.