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Joined 1 year ago
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Cake day: June 21st, 2023

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  • I have a “world bible” that I created on onenote with all of my characters, locations, lore, etc. As part of that I have my stories plotted out in rough notes, then chapter by chapter in a table, (this often changes when actually writing but it’s a great foundation).

    Lots of people use Obsidian or Notion to do the same thing. I already had onenote on all my devices, so it was easy just to add notes to my notes section if an idea came to me on the move that I could return to later.

    I’ve tried to move to obsidian or notion a couple of times, but I think I have a certain efficiency now with my crude system, and it just seems to work for me.


  • So many amazing characters throughout the series.

    Some examples I’d say:

    Stetzer, Edgar & Sabin, even edgelord Shadow has a fantastic backstory. VI had such a large cast with such unique stories all round, I only wish a few were fleshed out a little more, Locke felt a little bland in comparison, but that could simply be translation not giving him as much of a personality, or maybe I’ve played it too many times.

    Vivi in IX will always have a really touching story, the whole concept of trying to understand the world and his own existence from a very naive perspective. The fact that they still managed to portray that with wisdom and grace within that naive framework was just pure poetry, imo, and very much a staple of Japanese cultural fable/storytelling.








  • The beautiful thing about YouTube is that fundamentally, it is still an incredible platform for anyone to be able to create content for the entite world to watch. That is so cool when you really think about it.

    However, the horrible thing about YouTube, is the algorithm that is designed to push all sorts of views and opinions onto people, burying all of the actual good content beneath thousands of hours of utter shite and adverts.

    If you know where to look, you can still get all the entertainment and information you need from it!


  • Music Producer input here. It’s sort of been a general rule of etiquette in production that piracy is fine if you intend to buy the product.

    A lot of the better plugins can be very expensive and prior to subscription models, were limited in free trials. It can take some time to know if a particular plugin works with your workflow and gives you the results you like over multiple different projects.

    I’ve always stuck with this. If I see something I like the look of, I’ll pirate it, use it over a bunch of projects and if I find myself relying on it then I’ll save up to buy it legitimately. Of course, there’s a fair bit of trust involved there, and a lot of people will be happy enough to keep the pirated version and try to find a new crack every time the DAW or plugin requires an update,

    No chance I would have been able to afford half of the software I use in my workflow when I first started out, nobody can. But I eventually found my flow then caught up and paid it back.

    I consider that ethical piracy. Or maybe I’m just justifying it to myself. But that’s how it was implied when I first started out in college and it’s a good system where you can still eventually support the small companies that make quality products that work for you.